![]() As for White Balance, I personally set mine to “Auto”, since WB settings are not important when shooting in RAW. Similar to color photos, you want to shoot in RAW with the highest bit depth available in order to be able to pull as much data as possible for color filters, with a minimum amount of noise. So shoot in RAW and you will be good to go. ![]() That’s because Adobe products do not have the capability to read the proprietary manufacturer information from RAW files. If you use Adobe Photoshop or Lightroom, the images will be imported in color and the black and white settings you used on your camera will be lost. During the import process, if you use software like Capture NX2, your images will be imported as black and white, although you can change them back to color any time later. If your intent is to shoot in B&W and see the effect on the camera, feel free to set the camera to B&W mode. If you shoot in RAW, no matter what color profile you apply on your camera, the file will contain all information you possibly need from the camera for successful B&W conversion. Therefore, it is best to take pictures in color, then convert them to black and white in post-processing. ![]() On top of this, in-camera B&W processing is often poorly implemented and the camera gives you no control on how specific colors or regions of the image should be treated. Once colors are converted to B&W, there is no going back. ![]() While it is nice to be able to shoot in B&W from DSLRs directly, since you are stripping the colors from images, you are basically limiting your post-processing options if you shoot in JPEG format. Many of the current DSLR cameras allow you to switch from color to black and white/monochrome inside camera menu and some of the advanced DSLRs even allow you to pick different types of color filters for better black and white conversion (Nikon DSLRs have a “Monochrome” Picture Control to convert to B&W). That’s how color filters affect images in B&W photography! When a red filter is used, the red colors appear bright and green with blue are much darker. When a green filter is used, the green leaves on the tree appear lighter than the red and the blue colors. When a blue filter is used, the sky looks very bright, but the green and the red colors are very dark because they are blocked. Take a look at the following example with different filters: If you used a green or a red filter, on the other hand, the sky would appear much darker. So if you were photographing a landscape with a blue sky using a blue filter, the sky would be very bright when converted to black and white. What if we are converting colors to black and white? One thing you need to remember, is that filters lighten their own color and darken the colors that get blocked. Now that’s what would happen in a color photo. For example, a green filter will make a yellow object (which is a combination of green and red) appear green, because the red portion of the color combination is blocked. Since all colors are combinations of red, green and blue (RGB) colors, filters are capable of blocking certain colors from a color combination. For example, if you use a red color filter, it will let the red color through, while blocking green and blue colors. When a specific color filter is used in front of a lens, it absorbs other colors and lets the same color as the filter pass through. Before jumping to B&W techniques, let’s go over color filters and camera settings first. The nice thing about digital, is that you can non-destructively (meaning without damaging the original file) experiment with black and white as much as you want and get many different “looks” of B&W by playing with colors and adjusting some sliders. With modern digital cameras this cumbersome process is no longer necessary, since most of the effects, including the effects of color filters, can be simulated in post-processing software like Photoshop and Lightroom/Aperture. Back in the film days, photographers used color filters in front of their lenses while shooting B&W film, then would employ special darkroom processing techniques like dodging and burning on top of that to lighten or darken particular parts of a photograph (some landscape photographers still do it today with medium and large format film). Instead, it is all about the colors that are recorded by the camera and how those colors are converted to different shades of grey, whether in-camera or through post-processing. Photoshop/Lightroom Plugin – Silver Efex ProĪs strange as it may sound, black and white photography is not about the tones of white, grey and black colors that we see in B&W images.Adding Contrast and Clarity/Structure to B&W Images.
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